However, there’s a heavy bias towards old hardware, so if you want to control your more up-to-date software, you’re better off using the 3X in Mackie Control emulation mode. Documentation could be better. This could make the 3X a potential prospect if you use Propellerhead’s software, but we’re not convinced that this functionality sufficiently justifies the sub-par construction. This is a nice touch, though the case does seem rather large when you consider how modestly-sized the hardware itself is. The sexy black exterior and uniform grey controls give it a ‘military chic’ vibe, while the rows of knobs and buttons are reassuringly high-tech. Useful for live performers. Thankfully, the unit can be USB-powered too, so you don’t need the wall wart unless you’re using it without your computer.
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Thankfully, the unit can be USB-powered too, so you don’t need the wall wart unless you’re using it without your computer. To the right of these controls things get a little more interesting; towards the top of the panel there’s biitstream LCD display reminiscent of those found on workstation keyboards.
Still, thanks to some foam padding, the Bitstream, its power supply and a USB cable can all fit in snugly, and the case will be a godsend for people who gig regularly or move about a lot. The sexy black exterior and uniform grey controls give it a ‘military chic’ vibe, while the rows of knobs and buttons are reassuringly high-tech. Ultimately, this is a controller that doesn’t quite live up to its potential. Documentation could be better. If you can’t be bothered with all this configuration nonsense, you’ll be pleased to hear that the software comes pre-packed with a bunch of settings for classic hardware and software.
To the left of the display there’s a rotary encoder, while to the right sits a small but workable ribbon controller. Impressively, the controller currently comes supplied with its very own flight case.
CME/Wave Idea Bitstream 3X review | MusicRadar
Reason users, however, can rejoice – the Bitstream features a special Reason bitstdeam that intelligently maps your Reason modules, which we’re happy to report works very well indeed.
Downloading the Mackie Emulation user bitstreaam from the Wave Idea website gives you thousands of presets, but we found actually getting the Mackie Emulation mode to work properly to be a tricky task indeed. Cons Poor build quality. These are arranged in standard mixing desk style – you get a row of eight faders with a set biitstream four knobs sitting above each one.
The Bitstream 3X is a control surface that offers a little bit of everything. It’s not particularly big, but it does display a fair amount of information and is certainly a useful feature.
Useful for live performers. The lion’s share of the 3X’s top panel is filled with knobs and faders. It does have some cool features and the Reason integration is great, but that suspect build quality is a real problem and the documentation could be better – as mentioned, there were omissions in the Live 5 PDF we downloaded from the website, and many of the page numbers in the printed manual’s index are incorrect.
CME – Product – Bitstream 3x Super MIDI controller
Below these you’ll find a two-axis joystick, the highly unusual Automation section, a row of mute buttons and a dinky little crossfader. However, there’s a heavy bias towards old hardware, bitstreak if you want to control your more up-to-date software, you’re better off using the 3X in Mackie Control emulation mode. At first glance, the Bitstream looks pretty cool. We had further woes trying to set the unit up to work with Ableton Live 5 and found that the instructional PDF on the website missed out some important information that we later located on the Wave Idea forum.
This could make the 3X a potential prospect if you use Propellerhead’s software, but we’re not convinced that this functionality sufficiently justifies the sub-par construction. Unfortunately, closer inspection reveals that the build quality is less than rock solid – on our review unit, the niggles ranged from the subtle the faders all pointing at slightly different angles to the ridiculous two of the foot stands were shorter than the others, so we had to make a paper wedge to stop the unit rocking during use!
First impressions are good, but less-than-perfect integration with the latest software and poor construction let the Bitstream bisttream. This is cross-platform and enables each of the controls to be set up as a CC or Note On. This is a nice touch, though the case does seem rather large when you consider how modestly-sized the hardware itself is.
It will only be included with the first units, though, so if you want one, get on the case as it were. There were other problems, too: It’s unusual in that it appears to have been designed as much for traditional MIDI users as it has for computer musicians – in fact, it even comes with a power supply, which is quite a throwback in these days of powered USB connections.
Our Bitstreaam First impressions are good, but less-than-perfect integration with the latest software and vitstream construction let the Bitstream down.
The Bitstream can be programmed from the front panel using its buttons and rotary encoder, but if you’re using it with a computer, it’s easier to set it up using the included software instead. With luck, there’ll be a ‘Mk II’ version that improves matters, but at the moment, there are far better control surfaces on the market.